The authors or their legal heirs and assigns. Literary rights, including copyright belong to The Sound Recordings are the physical property of The Museum of Modern Art. The records are open for research and contain few restricted materials. These recordings have been aranged as a separate group under the heading Video Viewpoints. The program was titled Video Viewpoints until 2003 when its name wasĬhanged to MediaScope. The programs are presented biweekly and explore filmmaking and videomaking, as wellĪs Web-based, installation, and digital art practices. Who discuss their work with the audience. Focusing on experimentation with form and content, the program features both emerging and recognized artists, In 1978 a new program was started by Barbara London, a curator in the Department of Film, concerning artists and their recent Sponsors include the National Endowment for the Arts, National Endowment for the Humanities, New York State Council on theĪrts, Jerome Foundation, the Roy and Niuta Titus Fund and the Junior Council, International Council, Department of Film,ĭepartment of Painting and Sculpture, and Department of Education of the Museum.
#Alfred sound hilton series#
Recent media include standard audio cassettes and various digital recording formats.Įxamples of program series represented by the recordings include The Related Arts of Today, Cineprobe, New Films/New Directors, What's Happening?, Requests from the Archives, Views on Art, Video Viewpoints, Looking at Film, and Italian Filmmakers. Tape reels, 20 3" sound tape reels, 1 Cousino Echo-matic II self-threading tape cartridge, and 1 continuous loop tape. Types of recording media found in the collection include: 4 10 1/2" sound tape reels, 673 7" sound tape reels, 178 5" sound In this group are three tape recordings of the 1939 Museum opening, transferred to the Museum Archives in September 1990. Recordings transferred to the archives after June 1990 and continuing to the present were cataloged as received. The description of those recordings replicates an index card file created by previous custodians of the collection. The first 887 sound recordings in the collection were produced from 1939 through 1988 and transferred to the Museum Archives Types of events include interviews, lectures, speeches, symposia, panel discussions, and discussions between filmmakers and This Record Group contains recordings of events that either occurred at or are related to Museum of Modern Art activities. Tape cartridge, and the continuous tape loop is not available. Equipment required for listening to the reel-to-reel tapes, 10" sound recordings, the Cousino Echomatic II self-threading System is used to identify recordings with "vv" as a prefix to indicate that they form part of the Video Viewpoints series.Ī cassette player, a discman and a personal DVD player required to play these recordings are available at The Museum of ModernĪrt Archives. Within the series devoted to Video Viewpoints, recordings are described in the order they were received. The decision toĬhange the catalogue numbering system was made in order to maximize the efficiency of the transfer process. Sound recordings are arranged numerically by accession number. Sound recordings in the calendar year 1998. tape 98.6 - the sixth recording to enter the Museum Archives collection of That there were "no corresponding tapes" for sound recordings 69.2, 69.32, and 69.37.īeginning in January 1998, sound recordings are catalogued according to the date of accession by the Museum Archives, not,Īs was previously done, by date of event i.e. In addition, the descriptive index cards transferred to the Museum Archives in 1990 with the sound recordings indicated Sound recordings 71.30, 71.36, 71.38, 74.5, 74.7, and 74.12 in Series A are missing although original index cards for themĮxist. On March 17th, whereas 72.14 occurred on March 16th. There are instances when tape recordings from a single year were inventoried out of sequence: for example, 72.13 occurred Original order has been maintained, therefore Size of tape, speed of tape, length of tape, related material, summary, and donor. The descriptive entry includes such information as personality, title, date, place, series, participants, sponsor, exhibition, Recording number 58.6 refers to the sixth event recorded in 1958. Each recording is identified byĪn inventory number that corresponds to a descriptive entry.
Within the general sound recordings, recordings through 1997 are arranged chronologically. © 2008 The Museum of Modern Art Museum Archives Finding aid prepared by the Museum Archives.
Sound Recordingsin The Museum of Modern Art Archives SoundRecordings
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